Jess McGlothlin Travels

Updates on travels, adventures and news from Jess McGlothlin Media.

outdoor

Gear Care and Maintenance 101

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Outdoor photography, by its very definition, takes place, well… outdoors.

And the outdoors are dusty. And muddy. Sandy. Gritty. Windy. Wet. Damp. Humid. Icy. Smoldering.

None of which present “ideal” operating conditions for camera equipment.

Not an electronics-friendly environment. (Photo courtesy of Capt. Emir “Gordy” Martin.)

One of the most common questions I get is how I manage gear in the field, keeping it functional and operating at peak capacity when conditions are tough. The care and keeping of camera gear varies with every shoot as the conditions are different, but here’s a look at my basic daily cleaning routine in the field, as well as upkeep maintenance I do upon returning from a shoot.

Camera Bodies / Lenses

Especially on saltwater or very dusty shoots, cameras and lenses are wiped down with a damp washcloth each evening. Lenses and filters are cleaned and swabbed dry, and if needed a bulb blower is used to remove dirt and dust from crevices. Camera bags are dried if they got wet throughout the day.

Every night I upload image files from my memories cards into Lightroom, and back up in triplicate before clearing / reformatting the memory card. Batteries are charged up if needed. And it’s all left to air-dry a bit before being packed and prepared for the next morning.

Drone work in the field. Tasmania, Australia.

Drone

The drone presents a love / hate relationship. Logging flight plans and following international import laws means there is no time to slack. Before leaving for any shoot, I always perform a check flight at home, then do another upon arriving at the shoot location to ensure nothing was damaged in travel. My drone spends a fair bit of time crossing the equator, which seems to mess with the compass settings. That’s a frequent reset / reconfigure routine.

Remember, know your equipment. Know its temperament and common issues… it helps troubleshoot things like this in the field.

On a recent international shoot, my drone was roughed up a bit by customs and I was getting odd error messages in the field, after a clean test-flight at the lodge. I’ve spent the past week stripping all the software off, reinstalling, and reformatting the whole thing. That’s also involved a lot of test flights, diagnostics, and all those things that take a lot of time but are a part of the package.

In the field, the drone gets a minor version of the DSLR’s nightly routine. Wipe down, inspect for dual damage, clean lens and filters, ensure batteries and controller are charged for the next day. Especially in saltwater climates, sunscreen, high humidity, and saltwater don’t make for a terribly LiPo (lithium polymer) battery-friendly environment.

Speaking of those LiPo batteries. The batteries are notoriously volatile, and don’t do well in very hot environments. (Like a 100+F flats boat.) Keep them in the shade when possible… keep them cool. Rotate through your stock; don’t always use the same battery and keep the others as backup. I have mine labeled numerically, and note in my flight log which battery was used, and to what percentage it was drained to. It’s a good way to ensure rotation and also track potential problems.

Underwater photograph of a Belize permit caught fly fishing.
Even in cloudy water conditions, a clear, well-performing underwater housing is an asset in your quiver.

Underwater Housing

I use an AquaTech underwater housing, and have been largely quite happy with it. It’s durable, allows good adjustments within reason, and has held up to storms, sharks, and other shit. It also requires a bit of love.

The housing is rinsed meticulously after each day in the field. If I’m some place with a shower, it comes in the shower with me for a good rinse, and all the buttons are pressed to ensure fresh water gets in every little nook and cranny. Very occasionally, I’ll use a small amount of silicone grease on the controls to keep them smooth and happy. Even less occasionally, the o-rings in the housing and dome port get a very light coating of grease as well.

The dome is cleaned and polished every night inside and out. Each morning as I load the camera in, a good sprinkling of silica gel packets to help manage any moisture that might get inside.

Computer, Hard Drives, and Other Gear

Travel’s not easy on any gear. Even though they log less time on the water and in the field, cameras and hard drives still take a beating. I keep my laptop in a padded neoprene sleeve, which is a very basic effort to prevent sliding injuries in various airport security lines around the world. It helps.

I’ve also run a strip of gaffer tape along the spine of my laptop to help keep out dust and other debris.

Overall, just use common sense with your electronics. Don’t handle them with excessively salty or dirty hands. Wipe them off every now and then. Watch condensation if you’re going from air conditioning into a humid, hot environment often. Cushion it when you can.

Gear is meant to be used. It’s going to get dinged up and maybe even broken. But with a little extra maintenance, we can tip the odds a little more in our favor that it’ll perform when needed in the field. Besides, there’s something cathartic about wiping off the hard-earned dust and dirt from a shoot gone well.

Take care of your gear, and it’ll take care of you.

Photo Tips From The Field for Backcountry Hunters & Anglers

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I’m one of the judges for Backcountry Hunters & Angler’s 2020 Photo Contest, and as part of the contest, I shared five photo tips on the BHA blog this week. Visit the blog to read the tips and see images from around the world.

As a bonus, I offered a few notes on gear as well:

  • Camera equipment preferences vary widely person to person. It’s possible to shoot creative, quality images on an iPhone, though advancing to an entry-level DSLR camera will provide much more creative freedom. Don’t let the lack of fancy equipment hamper you from getting outside and shooting.
  • If you do choose to invest in camera gear, lens choice will have the most impact on your outdoor photography experience. Look at purchasing a quality wide-angle lens, as well as a 100mm+ lens. Wide-angle lenses (anything wider than 50mm on a full-frame system, or 35mm on an APS-C system) are a photographer’s best friend, encouraging new shooters to get up close and personal with their subject.
  • A lens with a bit longer “reach” (think 100mm+) will allow you to photograph subjects from a further distance, making it a valuable tool for outdoor athletes/adventurers. Many of the outdoor sports we love are not conducive to having a second person right alongside the first during activity. Longer lenses allow photographers to capture tighter images from further away and can provide a valuable tool for learning how to frame tighter shots.
  • Above all, just get outside! Keeping a camera at your side is an excellent way to share your stories, capture memories and document adventures. And with a little creativity, it’s an exciting challenge all on its own.

Tips for On-the-Water Photography with NRS

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“Life’s about the adventure, and while I’d wholeheartedly encourage you to focus on the moment and not worry about capturing images for “the ‘Gram” and other social media time-sucks, documenting a moment can be a way to save it for yourself. As a working photographer who spends a lot of my time in admittedly distracting, incredible locations, I’m always caught between staying in the moment and doing what I’m supposed to be doing—capturing images for my clients. It’s a balance.”

I had a lot of fun penning this article for NRS talking about my top ten photography tips for people on the water. Let’s face it, water of any sort (especially saltwater!) is not necessarily camera equipment’s best friend, but with a little planning ahead and awareness you can still keep the camera at your side in challenging environments.

Give it a read, and then let me know what else you wish I’d talked about in the article.

So You Want to Be a Fishing Photographer or Writer…

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Image of photography equipment, notebook, sunglasses, bag and sandals waiting at airport on Anaa Atoll, French Polynesia.
Packing up after the job is done. French Polynesia, on assignment for Costa Sunglasses.

(Author’s note: This post was originally published August 14, 2017. In the spirit of continued queries and the turn to 2020, I’ve edited slightly and posted again.)

I get at least two emails or social media messages a week. “Hey, what you’re doing looks like a lot of fun. I’m A) about to graduate or B) looking to leave my corporate job and want to travel the world to shoot photographs of people fishing. How can I get your job?”

It’s always flattering to have the public view one as an expert in, well… anything. And I’m more than happy to share the path that lead to me to where I am now. It’s an ever-evolving proposition, and I’m sure as hell learning something new every day.

Every conversation, be it a phone call, in-person, or via email, however, beings with this simple warning: it’s not as glamorous as it looks. In between the monster fish, beautiful locations and far-flung locales, there’s plenty of sleeping on grimy airport floors, getting tested for tropical diseases and eating whatever food might be on hand (readily identifiable or not… when in Rome, and all that.).

Bandaged, cut and infected feet in sandals on the beach in French Polynesia.
On island time, even with an infected foot. French Polynesia.

There are also the 3AM work sessions, glazed eyes from photo editing days and exhausted writing stints where I stare vacantly at a blank sheet of paper until I just decide to start writing gibberish. Stability is a forgotten thing — I keep a “go bag” packed for last-minute trips (see some of my favorite gear here), and keeping a steady relationship is challenging to say the least. I pay rent even though I’m gone anywhere from four to six months of the year.

So, yes, while it may look glamorous and exciting — and it can be both, though glamorous isn’t often the adjective I’d use — realize there’s a cost to those good moments.

Two Canon DSLR cameras sitting in a camera bag.
On assignment for the Wall Street Journal, Bozeman, Montana.

Still thinking about becoming an outdoor / fishing photographer or writer? Read on; here are five tips to help you on your way.

1) Most important of all: be willing to put the work in. In my early years, I worked three jobs while teaching myself how to shoot. There’s no way to gain an instant skill set in this world… to be a professional, it takes long hours in the field, plenty of research and learning on your own and a willingness to set aside other aspects of your life in order to make it work.

Put the ego aside and realize you’ve got a lot to learn. We all do.

2) Develop your own style. The end goal is for someone to be flipping through the latest fishing magazine, lay eyes on one of your images and immediately know who shot it. A distinct shooting style sets you apart from your peers — and it’s something editors and commercial clients will look for. I’ve gotten some jobs because of my style, and had clients turn me down for others for the same reason. Sometimes it’s a good fit, other times it’s not, and that’s okay.

Your own style is a personal decision; don’t just copy how someone else shoots. Experiment, see what feels right, and make it your own.

3) Learn other aspects of the industry. This is especially true if you want to become fly-fishing-specific media. You need to know what life on the other side of the lens is like. Some of the best moves I made early on in my career were working in lodges internationally and fly shops around the U.S.. This helped me understand the challenges on the other side of the lens, and also helped establish credibility. Now, I can arrive at a lodge for a shoot and honestly say, “Hey, I’ve been in your shoes. We’re good.” Everyone relaxes.

Also, do yourself a favor and learn how to cast. It’s hard to look like a professional in the industry — in any matter — if you can’t fish yourself. The first day out with a new guide on location, we’ll chat about the battle plan and expectations, and then I’ll casually pick up the rod for a little bit. I’m by no means a rock star caster, but I can get it done. When a guide sees that he’s with someone who knows what they’re doing, the day mellows indescribably. Learn to fish; you don’t have to be the best in the world but at least cover your basics. The effort will be respected.

Alaskan fishing guides hauling gear on a frame pack across marshy tundra.
Moving gear to the floatplane pickup. Shooting with Bristol Bay Lodge, Alaska.

4) Take notes. So, you only want to be a photographer… forget all that writing stuff. Okay. You should still pack a notebook and pen (or a phone with note-taking capabilities). Take notes — names, places, distances, fish habitat, funny phrases, etc. Good, complete captions are key — editors will appreciate if you have the correct information, and plenty of it.

5) Just shoot. So, you’re not flying halfway around the world to cover an exotic fishery. Grab a friend and head to your neighborhood river. Play with light, play with fish, play with moving your feet and capturing different angles. Just play. Shoot subjects other than just fishing. You’ll be amazed at some of the images that you come away with.

Photographs of camera gear, bags and computers in the field, at airports and at lodges around the world.
Make friends with your gear… you’re going to be spending a lot of time together.

Perhaps the biggest rule of all is to do what feels creatively right. I don’t know how many times I’ve been out shooting and see something spectacular through the lens, then just feel a goofy smile cross my lips. You’ll know when it feels right. And sometimes those shots take a lot of effort — technical set-up, lighting, hiking in long distances, wading deeper than your comfort level, ignoring that pesky little blacktip shark that keeps cruising by, etc. — while other times, it seems as easy as pie.

Pick up your camera, get on your feet and shoot. Learn how to use your camera — get it the hell off auto. Network within the industry. Don’t be afraid to work… it’ll take you far. And, at the end of the day if you decide being a professional is just too much, don’t let it dampen your creativity or your love of fishing. Everyone comes at this lifestyle differently, and that’s the beauty of it.

Want a peek at what happens behind the scenes? While I was on commercial and editorial assignments this past summer in Swedish Lapland, the Swedish Lapland Tourism team (who were rather savvy anglers themselves) shot this video. It’s quite candid — I was too busy focusing on my own assignments to do any kind of scripted… anything — but the team did a fantastic job of it. We filmed most of the audio at 2 or 3AM over the course of several mornings, so here’s a bit of tired honesty for you… and a look at life on location:

Backcountry Hunters & Anglers: Podcast & Blast

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Jess McGlothlin talks with Backcountry Hunters & Anglers' Hal Herring for "Podcast & Blast" about the realities of being a professional photographer and writer in the outdoor industry.

I had so much fun recording this podcast for Backcountry Hunters & Anglers with Hal Herring. Hal and I met up one hot afternoon here in Missoula a few weeks ago at the BHA headquarters and, fueled by coffee and good conversation, could have talked for hours.

Actually, we did talk for hours. We could have talked for so many more.

I’m terrible about my own PR; I’d so much rather talk about other people than myself. But Hal did a masterful job of digging into how I got my start, what the early days were like (spoiler: there’s no magic bullet in this industry), and the very unique challenges 2020 has brought for traveling creatives.

Huge thanks to Hal and the BHA team for having me on “Podcast and Blast”!

Talking Packing Lists With Men’s Journal

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Woman fishing on boat with fly rod in northern Australia in saltwater. Article for Men's Journal.
Really excited to see this piece go live in Men’s Journal this morning!

I’m definitely a minimalist when it comes to packing clothing and personal items on a trip. The less clothes, the more space for fishing and camera gear. But a short packing list means each item has to perform double (or more!) duty. Each piece has to be dependable, durable, and functional in a variety of climates and conditions. And it has to be comfortable—the last thing I want to be worrying about when on assignment is that my clothing is going to fail.

Packing list for outdoor adventure photographers on Men's Journal. Photo of packs bags and camera bags.

I outlined a few of my “ride or die” pieces in this article, and included a few new favorites, too. This trip to Australia involved two very different climates—up to 110F in the northern part of the country, and less than 20F (plus wind chill!) in the Tasmanian highlands. I also had 14 different flight legs in 17 days, so traveling heavy wasn’t an option. So read the article to see a few of the pieces I lived in on this trip; what makes the grade. Most of these pieces are already on my packing list for January 2020 projects!

Thanks to the team at Tourism Australia and all the fantastic Australians up north and in Tasmania who showed me around, took the time to tell me their stories, and shared their rivers and seas. It takes a team like that to pull off a busy shoot like this one—and things went swimmingly!

Photo of Patagonia waterproof backpack while fishing in Australia. Packing list article on Men's Journal.